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Photography Workshops

In one way or another, many workshops and training sessions tend to take on a personality.

We believe that the hosts or the instructors drive that for the most part and managed properly, it allows the participants to relax and be themselves. Even with a group of strangers.

How do we drive that? It’s a simple one word answer. PASSION. We are very passionate about sharing the art and technique of picture making. We look for the artist in each individual and nurture it through out the workshop, building confidence and know how. We know every one learns differently and we’ll work with you at your own speed to help drive the points home and establish good continual habits as you grow and learn.

Tony and Keith firmly believe that the learning environment is critical to the improvement of skills and growth. That learning is always easier when it’s fun. So while the topic may be a technical one and a requirement for moving on, they will present it in a stress free package and through an enjoyable style that keeps the fun in the session. Regardless of your pace, and your past experience, the design of the workshops are to ensure you have growth in your photographic ability, memory cards filled with images, and lasting friendships forged in fun and positive shared experiences.

South Dakota Photography Workshop, The Old West & Prairie Life 2025

South Dakota Photography Workshop,  The Old West &  Prairie Life  2025

July 20th - 25th 2025

One of our cow “men” rancher models has had the distinction of working in the movie industry and has been a stunt double for major Hollywood actors. He is also a 5th generation rancher. We are thrilled about the set-up we are going to be hosting for the group and we know every photographer will thoroughly enjoy the opportunities. Along with the opportunity of doing some outdoor, studio-type setup shots, we will also have a mock horse drive and spend a fun time on the pastures with the mares and foals. We’ll be so immersed in the horse’s routine, that you will feel like a real cowboy yourself.

Since South Dakota has so much to offer, it would be only natural for us to photograph a ghost town or two as well as a possible trip into the Badlands if the weather is conducive to good light. We have scoped out a few great stops for the opportunity to photograph ruins and abandoned buildings that can be over 100 years old. Opportunities like homesteads, grain elevators, ranches, churches, and a jail.  The prairies and the sky have a lot to offer the fine art photographer, the photo ops are fabulous.  It’s also a great place to try infrared photography. The badlands themselves have many things to offer, from wildlife such as big horn sheep, mule deer, Bison, and prairie dogs. In the right morning or evening light the landscape opportunities are also stunning. Every client who desires can receive expert instruction in technical challenges, equipment set-up, compositional assistance, or any other photo assistance you may need.

Of course, when in a dark sky territory, it only seems appropriate to do some night sky photography. The heavens are visible with the naked eye and having a camera with proper settings, and an exciting foreground with a little light painting you will have the makings of a fun night and another great photo op. Conditions will need to be just right to deviate from our normal plan to attempt a night sky and light painting shoot.  But it's on the table and will be open for discussion as a group.  Obviously, this is a "weather permitting" bonus.

So, if you are excited about photographing cowboys doing cowboy things, running herds of horses and foals, some set-up shots in full western wear cowboy sessions with authentic western scenery, Badlands, ghost towns, and abandoned buildings, plus if the weather allows us, some night skies. Then this is the opportunity you have been looking for. 

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WHERE:

We will be based in an area about 30 miles east of Wall SD.  The area we are exploring is roughly within a 75-mile radius of Homebase.  The closest airports are Rapid City and Pierre SD. Lodging will be in Phillip SD, and there is a very high probability of full hook-up campsites for those so inclined. If you are leaning that way, please let us know right away. We can do some preliminary negotiations for rates as well.

WHEN:

We will be officially gathering in the late afternoon or evening on Sunday, July 20th, at the motel in Phillip SD. and wrapping up Friday evening July 25thth by 6:00 PM It is important to know that while Philip has many or the normal and quality amenities we would expect. There are no eating establishments open on Sunday. So whenever you arrive you need to have a plan that can take your meal planning until Monday morning for breakfast before we head out for our first shoot. More about that in the registration communications

LODGING: Unlike most workshops, we go ahead and arrange the lodging for you. Yes, it's a lot more work but it adds a certain level of cohesion to the group, and we can really work on good rates for you as a big group.  We cover the lodging from Sunday night through Friday night. We will be at the only motel in Phillip SD. It’s a nice place, it’s clean and comfortable, but very basic. So basic they don’t have a continental breakfast, no coffee pots in the room, or hair dryers. But they do have a nice-sized mini-fridge, a comfortable bed, and hot showers. However, even in this small town, we are close to some local establishments that can meet our morning needs. There is also a nice grocery store in town if you want to stock up on your favorite morning foods. The lobby does have a microwave, and complimentary coffee for you.

Physical Demands:

There aren’t too many tough physical demands other than physical endurance. We don't plan on working the group for 14 hours a day but as we work around the weather, and the driving times some days are longer than others, and when you add in late night/early morning stars scape photography we are going to throw off your sleep schedule. We will make sure the group gets good and reasonable rest opportunities, and as leaders and instructors, we need our rest as well. 

However, there is a part of the trip that may be somewhat uncomfortable, almost primitive, as we traverse the grounds on the couple of days that we’ll be chasing the horses and setting up a few of the cowboy shots. We also have access to a very cool but very rustic “cowhand” cabin. It’s several miles off the beaten path and the field road that gets us there is also very rustic. Normal vehicles cannot travel this road so we will be traveling slowly in pick-up truck beds and horse trailers. It's a considerably bumpy ride but the payoff at the end is well worth it. There is no safety risk at all, it's just bumpy. There can also be some interesting hiking. If we get a badlands night shoot, we will be walking there using headlamps and flashlights over rocky trails. Also, If we go out to our favorite river location, it's about a 400-500 yard walk, 15-20 minutes, through tall grass/weeds, some downed branches, and an occasional mud hole to navigate around. However, in all of these opportunities, to quote a friend..."The juice is worth the squeeze". Well worth it.

Your safety is our highest priority, it is the lens through which we look when setting up these locations. At the same time, we are expecting you to know your limits and reach out to us if you have any concerns about being able to navigate any portion of the trip. We will give you our best recommendations and descriptions but it's ultimately your decision.  However, we will not hold up the group or not participate in a certain shoot because of a single individual's hesitations, inability, or discomfort. It's not fair to the group. Best case, you can miss that portion of the workshop by staying at the hotel, worst case you may end up staying back at the car, in the middle of nowhere for several hours. 

RECOMMENDATIONS or SUGGESTIONS:

The photo opportunities vary greatly. Super wide-angle to long telephoto (400mm +) equipment is recommended. A very sturdy tripod especially for night shots where the exposure time can get very lengthy, also the extra stability is necessary for any time laps. When we are photographing the horses, the times and the moments will come and go quickly so you may want to consider running two camera bodies with different lenses on them, so you are not exposing your gear to dust and losing precious time changing lenses.  Also, if you have a hot shoe-mounted ETTL or dedicated flash, I would bring that as well. This is the one trip that I don’t get on my “minimal gear” soapbox. You may want to have spare bodies, lenses, several batteries, sensor cleaning and lens cleaning gear, and personal protection from the strong and hot sun. Because of this, I recommend looking at driving to this workshop vs. flying so you are not limited to the airlines’ weight and size standards and so you have a way to haul your gear throughout the day.

MORE TO KNOW…

Day-to-day travel will be in a large enough vehicle to hold all of us and our gear. This is perfect for spending our day together and sharing information while traversing from site to site.

One more thing to put out there is taking care of our models.  These folks are volunteering their time to come out and role-play for us as cowmen and women. After each of our events using these models, I will be "passing a hat" for us to tip them for their time. It's the right thing to do.

Event Information

Event Date Jul-20-2025
Event End Date Jul-25-2025
Capacity 10
Individual Price $3,450.00
Lodging Is included Sunday -Friday Nights
Refund Policy Full Refunds up to 120 days before event. More details below
Experience Level Novice, Beginner, Amateur, Advanced Amateur, Professional
Location Philip, South Dakota

Ticket Information

Ticket Type Price
Down Payment-available until 2/4/25

1/2 down deposit View Refund Policy

$1,725.00
Full payment

Payment in full

$3,450.00

Refund & Deposit Policy

In an attempt to allow registration to begin well in advance for your planning,  you may see the "hold my spot" deposit.

This allows us to publish a workshop before all our final preparations have been determined. The dates are secure, as well as the location. All of the major components are in place with one exception, lodging costs. Usually, the cost of lodging is the biggest variable and is also updated by the vendor well after we would like to begin taking registrations. The price you see does not include any lodging increase but it was the pricing from the previous year, we have not finalized the cost for the upcoming offering. We feel it is important for the lodging to be included because we know we can guarantee a better rate and keeping the whole crew at the same hotel builds continuity and camaraderie. Until we have the exact pricing, we'll offer this deposit to allow folks to register sooner to ensure your spot for this exciting workshop.  When we have the exact pricing, we switch to a half-pay or full-pay option and apply the deposit toward that payment. This "hold my spot" deposit is NOT refundable unless the workshop sells out or you find a replacement who attends in your place. In this case, your refund will be delivered after the start of the workshop. *** If the option to "hold my spot" is not shown on the registration page, then the pricing is established and confirmed for the represented workshop.***

The refund policy is:

  • Up to 180 days before the workshop you will receive a 100% refund
  • Up to 90 days before the workshop you will receive a 75% refund
  • Up to 60 days before the workshop you will receive a 50% refund
  • Up to 30 days before the workshop you will receive a 25% refund

If you find a person to fill your spot or if there is a waiting list and the spot is filled, you will qualify for a full refund regardless of when the spot is filled.

There is no refund within 30 days unless you find someone to fill your spot or there is a waiting list and the spot is filled for you.

Refunds do not include the non-refundable down payment if applicable.(i.e. hold my spot) 

Workshop Reviews

  • Debra M.

    I loved how you accommodated each of us. When I had trouble with my camera, you not only took the time to look into it, you made sure I had time to get the shots afterward.
  • John R.

    The knowledge I gain on this workshop far exceeded my expectations. I felt the brief suggestions on how to shoot each location helped in thinking about composition, which is my weak point. I especially liked the hour I spent with Tony at breakfast before everyone else arrived. I could have spent half a day in a Q&A with both Keith and Tony. I wish I had a tape recorder with me because I cannot possibly remember all of their tips and tricks.
  • Susan B.

    Before I even went on the workshop, I thought it was a good value. Afterwards, I strongly agree. Very pleased.
  • Angie C.

    This being my first workshop, I have to say, I was truly satisfied with everything! From communications, lodging, meals, experience, very friendly fellow photographers, made everyone feel welcome included, offered help w/ anything & everything you needed! I found NOTHING negative (even the rain) about this workshop! Well maybe one thing, it was too short (could stayed for a wk!). I’m ready to sign up for another one!! Thanks so much! I had a great time/experience!
  • Linda M.

    Thanks to both of you! It was a great workshop, providing both excellent sites and new skills. The lodging was excellent. Thanks for an enjoyable learning experience! Great time!
  • KD

    As an inexperienced photographer I appreciate that you did not batter me with information overload. You both offered suggestions, but gave me space to do my own thing. You were patient and available to guide me and answer my questions. I learned some things and had fun along the way. Thank you and maybe I’ll see you on another workshop someday.
  • Tom E.

    Love that you guys are always there when/if we need you - whether with technical or composition questions. You also help us see things that we might bypass. I know that I've improved in my photographic "vision" as a result of the workshops. It's great that you tell us, when we get to each location, the time we'll be spending there. It helps us focus during short stops and let's us wander during long stops.
  • Kris D.

    You two are worth your weight in gold!
  • Lisa T.

    It was a small group of 10, Tony and Keith helped everyone. I've been to a few workshops, I've never had so much help, all I had to do was asked and these guys were there.
  • Dan P.

    I am a photographer that does need a great deal of direction, but with every question I had or opinion I sought, help was always available, and I had competent thoughtful and helpful input each time.
  • Sue H.

    I thoroughly enjoyed the photo workshop experience; … I appreciated both of the host's efforts to ensure that I felt comfortably part of the group's daily excursions and training.
  • Meg S.

    I thoroughly enjoyed the day and the experience. I look forward to another workshop in the future and hope that I can use Tony as a human tripod in the future! :-)
  • Donna T.

    Second time taking a barn photography class with these two wonderful instructors. Nothing better than receiving hands-on instruction from the rock stars of professional rural photography! - Donna T.

One plus One Equals Three

One plus One Equals Three

Tony and Keith have taught groups as large as 50-100 people for organizations as large as Out of Chicago, or The Florida Camera Club Counsel but their real love is in smaller boutique groups of 10-12. Jointly, they have an overall combined photography experience of over 60 years and together over 20 years of teaching experience in such places as the East Coast and the Upper Peninsula of Michigan, the farmlands of eastern Iowa and Wisconsin, numerous venues in Illinois, around the Great Lakes, the ruins of North Dakota, Cowboy and Badlands photography in South Dakota, the coasts of Oregon and California, Southwest Colorado, and the area around Moab.

Keith’s style leans more on the practical and technical side since he owned a camera store and is a full-time commercial photographer. Tony’s forte is in acting as the field dog, once on site. He loves pointing out compositions, big or small, that the average person misses.

Each in their own way are fabulous and gifted instructors. Together, they bring different strengths, many years of teaching experience, and a true love of photography to anyone who signs up for the workshops.