How do I drive that? It’s a simple one word answer. PASSION. I are very passionate about sharing the art and technique of picture making. I look for the artist in each individual and nurture it throughout the workshop, building confidence and know how. I know everyone learns differently, and I'll work with you at your own speed to help drive the points home and establish good, consistent habits as you grow and learn.
One of our cow “men” rancher models has had the distinction of working in the movie industry and has been a stunt double for the actor Sam Shepard. He is also a rancher. We are thrilled about the setup we are going to be hosting for the group, and we know every photographer will thoroughly enjoy the opportunities. Along with the opportunity of doing some outdoor, studio-type setup shots, we will also have a mock horse drive and spend a fun time on the pastures with the mares and foals. We’ll be so immersed in the horse’s routine that you will feel like a real cowboy yourself.
Since South Dakota has so much to offer, it would be only natural for us to go photograph a ghost town or two, as well as a few trips into the Badlands. We have scoped out a few great stops for the opportunity to photograph ruins and abandoned buildings that can be over 100 years old. Homesteads, grain elevators, ranches, churches, and a prison. The prairies and the sky have a lot to offer the fine art photographer; the photo ops are fabulous. The badlands themselves have many things to offer, from wildlife such as big horn sheep, mule deer, Bison, and prairie dogs. In the right morning or evening light, the landscape opportunities are also stunning. Every client who desires can receive expert instruction in technical challenges, equipment set-up, compositional assistance, or any other kind of photo assistance you may need.
Of course, when in a dark sky territory, it only seems appropriate to do some night sky photography. The heavens are visible with the naked eye, and adding a camera with proper settings, and an exciting foreground with a little light painting and you have the makings of a fun night and another great photo op. PLUS, this will be the week of the new moon, so if the weather cooperates (and Canada keeps their smoke north of the border), we will be in for very dark skies. It doesn't get much better than this.
So, if you are excited about photographing cowboys doing cowboy things, running herds of horses and foals, some set-up shots in full western wear cowboy sessions, Badlands, ghost towns, and abandoned buildings, plus, if the weather allows, some night skies. Then this is the opportunity you have been looking for.
WHERE:
We will be based in an area about 30 miles east of Wall, SD. The area we are exploring is roughly within a 75-mile radius of home base. The closest airports are Rapid City and Pierre, SD. Lodging will be in Philip, SD, and there is a very high probability of full hook-up campsites for those so inclined. If you are leaning that way, please let us know right away. We can do some preliminary negotiations for rates as well.
WHEN:
We will be officially gathering in the mid-afternoon on Sunday, July 12th, in Philip, SD., and wrapping up Friday evening, July 17th, by 5:00 PM, and sitting down to an amazing steak dinner should you choose to participate.
LODGING: Unlike most workshops, we go ahead and include the lodging for you. Yes, it's a lot more work, but it adds a certain level of cohesion to the group, and we can really work on good rates for you as a big group. We cover the lodging Sunday night through Friday night. We will be at the only motel in Philip, SD. It’s a nice place, it’s clean and comfortable, but very basic. So basic they don’t have a continental breakfast, no coffee pots in the room, or hair dryers. But they do have a nice-sized mini-fridge, a comfortable bed, and hot showers. However, even in this small town, we are close to some local establishments that can meet our morning needs. There is also a nice grocery store in town if you want to stock up on your favorite morning foods. The lobby does have a microwave and complimentary coffee for you.
Physical Demands:
There really aren’t too many tough physical demands other than physical endurance. We don't plan on working the group for 14 hours a day, however, as we work around the weather, and the driving times some days are longer than others, and when you add in late-night/early morning star scape photography, we are going to throw off your sleep schedule. We will make sure the group gets good and reasonable rest opportunities, and as leaders and instructors, we need our rest as well.
However, there is a part of the trip that may be somewhat uncomfortable, almost primitive, as we traverse the grounds on the couple of days that we’ll be chasing the horses and setting up a few of the cowboy shots. We also have access to a very cool but very rustic “cowhand” cabin. It’s several miles off the beaten path, and the field road that gets us there is also very rustic. Normal vehicles cannot travel this road, so we will be traveling slowly in pick-up truck beds and horse trailers. It's a considerably bumpy ride, but the payoff at the end is well worth it. There is no safety risk at all; it's just bumpy. There can also be some interesting hiking. If we get a badlands night shoot, we will be walking there using headlamps and flashlights over rocky trails. Also, if we go out to our favorite river location, it's about a 250-yard walk, 15-20 minutes, through tall grass/weeds, some downed branches, and an occasional mud hole to navigate around. However, in all of these opportunities, to quote a friend..."The juice is worth the squeeze". Well worth it.
Your safety is our highest priority; it is the lens through which we look when setting up these locations. At the same time, we expect you to know your limits and reach out to us if you have any concerns about being able to navigate any portion of the trip. We will give you our best recommendations and descriptions, but it's ultimately your decision. However, we will not hold up the group or not participate in a certain shoot because of a single individual's hesitations, inability, or discomfort. It's not fair to the group. Best case, you can miss that portion of the workshop by staying at the hotel, worst case, you may end up staying back at the car, in the middle of nowhere, for several hours.
RECOMMENDATIONS or SUGGESTIONS:
The photo opportunities vary greatly. Super wide-angle to long telephoto (400mm +) equipment is recommended. A very sturdy tripod, especially for night shots where the exposure time can get very lengthy, also the extra stability is necessary for any time-lapse. When we're photographing the horses, the times and the moments will come and go quickly, so you may want to consider running two camera bodies with different lenses on them so you are not exposing your gear to dust and losing precious time changing lenses. Also, if you have a hot shoe-mounted ETTL or dedicated flash, I would bring that as well. This is the one trip that I don’t get on my “minimal gear” soapbox. You may want to have spare bodies, lenses, several batteries, sensor cleaning and lens cleaning gear, and personal protection from the strong and hot sun. Because of this, I recommend looking at driving to this workshop vs. flying so you are not limited to the airlines’ weight and size standards and so you have a way to haul your gear throughout the day.
I do look at renting a 15-passenger van when they are available. In the past, I've had to drive them from Chicago.
One more important thing to put out there is taking care of our models. These folks are volunteering their time to come out and role-play for us as cowmen and women. After each of our events using these models, I will be "passing a hat" for us to tip them for their time. It's the right thing to do. So please have a cash stash ready and available after each session we have models. Please be generous, all of these models are leaving their ranch, where they always have chores and things to fix, to come out and give you an authentic look into their world. Some are trailering their horses and incur expenses driving to meet us as well.
| Event Date | Jul-12-2026 |
| Event End Date | Jul-17-2026 |
| Cut Off Date | Jun-07-2026 |
| Capacity | 10 |
| Individual Price | $3,450.00 |
| Lodging | Lodging Provided Sunday through Friday Night |
| Experience Level | Novice, Beginner, Amateur, Advanced Amateur, Professional |
| Photographic Experience | All levels of photography experience are welcome. REALLY !!! |
| Location | Philip, South Dakota |
The refund policy is:
Except for one-day workshops, a $500 non-refundable deposit is required at registration to reserve your spot. If you’re registering within 120 days of the workshop start date, the full balance is due at that time.
** Exceptions to non-refundable:
If there is a waiting list and the spot you vacated is filled.
If you find a person to fill your spot. They must mention you by name as a replacement.
Keith is currently a Commercial Photographer in the Greater Chicago Area specializing in visual communication for marking and advertising.
Many novices and amateur photographers begin their love affair with photography in nature. Keith was no different. After completing military flight school he realized he will be going to some interesting places and should probably learn to use a good camera. A few years after learning how to operate his camera Keith took a tour of the Smokey Mountains in the early spring, the camera opportunities were abundant in all directions. He was hooked. Not yet a full time photographer, Keith carried his cameras everywhere while on active military duty, Asia, Europe, Australia, both US Coasts, the desert southwest, and Canada. At the same time, Keith was getting requests to photograph people, products, and events, and saw each new opportunity to branch out into other aspects of photography. After 18 years of self-teaching, and mentoring under professional photographers, Keith became the owner of an existing retail camera store and photo studio in 2002 and used that opportunity to accelerate his now professional career in studio photography. It wasn't long before camera classes were being held at the store to share the passion on a regular basis. Comfortable in front of a class from his military days Keith has had hundreds of customers take his beginning photography class. An experienced outdoors-men and land navigator trained by the Marine Corps, and an experienced teaching photographer make the transition to this type of outdoor, moving classroom a natural progression.